'The Bongo Teens' was a band name created by Paul Buff for the release of his Pal Recording Studio production of 'surfing tracks' for release on Art Laboe 's Original Sound label. Apart from the guitar work, by Dave Aerni, all other music, recording & engineering, was by Buff. Art Laboe's Memories of El Monte - 1994. Sweet Soul Doowop's. Vintage Soul Chapter 7. Harmony Treasures Taste Of Soul Vol.3. Vintage Soul Chapter 7. Brenton Wood – Baby You Got It. Nava-915 View my complete profile. Art Laboe's (1) Brenton Wood (3). Art Laboe (born c.1925) is an American pioneering disc jockey, songwriter, record producer, and radio station owner who is generally credited with coining the term 'Oldies But Goodies.' Through his 'Original Sound Records' company, Laboe put together the first-ever record read more. Find album reviews, stream songs, credits and award information for Art Laboe's 60 Killer Oldies - Various Artists on AllMusic - 1993. Art Laboe has made legendary impactful news over the airwaves in L.A. And is a part of history in the radio and entertainment industry. Art Laboe's been credited as the first on-air personality to play Rock n' Roll on the West Coast and is one of the first to feature hits by different multi-cultural artists, within the compilation album.
Art Laboe net worth is
$400,000
Art Laboe Wiki: Salary, Married, Wedding, Spouse, Family
Art Laboe (born Arthur Egnoian on August 7, 1925) is an Armenian American disc jockey, songwriter, record producer, and radio station owner who is generally credited with coining the term 'Oldies But Goodies'.Net Worth | $400,000 |
Date Of Birth | August 7, 1925 |
Place Of Birth | Salt Lake City, Utah, USA |
Occupation | Radio personality |
Profession | Soundtrack, Miscellaneous Crew |
Nicknames | Art Laboe, Laboe, Art |
Star Sign | Leo |
![Laboe Laboe](https://www.935kday.com/wp-content/uploads/sites/3/2015/06/ArtLaboe-PromoReel-1000x400-e1509032143272.jpg)
# | Fact |
---|---|
1 | Founded Original Sound Records in Los Angeles, CA. |
2 | He was awarded a Star on the Hollywood Walk of Fame for Radio at 6800 Hollywood Boulevard in Hollywood, California. |
3 | Veteran DJ. Popular for years on the west coast and remembered for his series of Oldies But Goodies compilation albums. |
Soundtrack
Title | Year | Status | Character |
---|---|---|---|
The Outsiders | 1983 | writer: 'Teen Beat' - as Arthur Egnoian |
Miscellaneous
Title | Year | Status | Character |
---|---|---|---|
Colors | 1988 | radio announcer: KRLA Radio |
Thanks
Title | Year | Status | Character |
---|---|---|---|
Up in Smoke | 1978 | thanks: A musical thanks to |
Self
![Art laboe oldies discography Art laboe oldies discography](http://brassheartmusic.com/wp-content/uploads/2018/01/bhlogowhite.png)
Title | Year | Status | Character |
---|---|---|---|
My Music: Doo Wop Discoveries | 2012 | TV Movie | Himself |
Airplay: The Rise and Fall of Rock Radio | 2008 | Documentary | Himself |
Won Awards
Year | Award | Ceremony | Nomination | Movie |
---|---|---|---|---|
1981 | Star on the Walk of Fame | Walk of Fame | Radio | Awarded on July 17, 1981 at 6800 Hollywood Blvd. |
Art Laboe Discography
Known for movies
Origin | Buffalo, New York, U.S. |
---|---|
Genres | R&B, funk |
Years active | 1965–1971 |
Labels | Artco, Original Sound |
Associated acts | Carl LaRue and his Crew, The O'Jays, Watts 103rd Street Rhythm Band |
Past members | Arlester 'Dyke' Christian Alvester 'Pig' Jacobs J.V. Hunt Bernard Williams Richard Cason Rodney Brown Alvin Battle Willie Earl Wardell 'Baby Wayne' Peterson Otis Tolliver Ray Byrd Maurice 'Little Mo' Jones |
Dyke and the Blazers was an American funkband led by Arlester Christian. The band was formed in 1965, and recorded up until Christian's death in 1971. Among their most successful records were the original version of 'Funky Broadway' (1966) and 'Let a Woman Be a Woman' (1969).
Career[edit]
Arlester Christian (June 13, 1943 – March 13, 1971), nicknamed 'Dyke', was born (according to most sources) in Buffalo, New York.[1] He attended Burgard High School.[2] In 1960, he started playing bass in a Buffalo band, Carl LaRue and his Crew, who played local bars and clubs and released a single, 'Please Don't Drive Me Away', on the KKC label in about 1963.[3][4] In 1964, LaRue was invited by Phoenix, Arizonadisc jockeyEddie O'Jay to take his band to that city, to provide the backing for the vocal group that he managed there, The O'Jays. By 1965, however, the O'Jays and their manager had moved elsewhere, and LaRue's band fell apart. LaRue returned to Buffalo, but Christian and two other members of the band, guitarist Alvester 'Pig' Jacobs and saxophonist J.V. Hunt, had no means of traveling and stayed in Phoenix.[3][1] They joined forces with an existing Phoenix group, The Three Blazers, who included tenor saxophonist Bernard Williams,[4] and, as 'Dyke and the Blazers', added local musicians Rich Cason (organ) and Rodney Brown (drums).[5] Playing in local clubs, the group picked up on the rhythms, bass and organ innovations of James Brown's band, and through improvisation developed a riff-based song that became 'Funky Broadway', the lyrics reflecting singer Dyke's memories of Broadway in Buffalo as well as Broadway Road in Phoenix.[3]
![Bioethics principles issues and cases 2nd edition pdf download Bioethics principles issues and cases 2nd edition pdf download](https://overtheroadtruckersdispatch.com/img/957880.jpg)
In summer 1966, the band were heard by Art Barrett, who became their manager and had them record the song at the Audio Recorders Studio in Phoenix. Barrett released the record on his own Artco label,[6][additional citation(s) needed] with Christian credited as its writer although other band members later claimed that they had contributed to the song. It became popular locally, and was reissued by Art Laboe's Original Sound label in Los Angeles.[3] The record steadily climbed the BillboardR&B chart early in 1967, reaching no. 17 in a 24-week stay on the chart, and also reached no. 65 on the pop chart.[7] The record was the first to use the word 'funky' in its title, and for that reason was banned by some radio stations as offensive.[3] Its music was described by Rick James as 'revolutionary', and Dyke developed a dance routine to go with it. The band added bass player Alvin Battle, freeing Dyke to concentrate on vocals, and toured widely on the back of its success. However, in the summer of 1967, the stresses of playing a series of engagements at the Apollo Theater in Harlem caused the band to split up, shortly before Wilson Pickett had a bigger hit with his own cover version of 'Funky Broadway'.[3] Pickett's recording reached no. 1 on the R&B chart and no. 8 on the pop chart.[8]
Art Laboe Oldies Discography
Dyke returned to Buffalo, and put together a new touring band, including Willie Earl (drums - previously a member of Carl LaRue's band), Wardell 'Baby Wayne' Peterson (second drummer), Otis Tolliver (bass), Ray Byrd (keyboards), and Maurice 'Little Mo' Jones (trumpet). However, the touring band gradually disintegrated in 1968 and 69.[3] After 1968, Christian made Dyke and the Blazers records with a variety of Los Angeles studio musicians later known as the Watts 103rd Street Rhythm Band, which included drummer James Gadson, who also performed with Charles Wright and Bill Withers, guitarists Al McKay and Roland Bautista, who later became members of Earth, Wind & Fire, and bassists James Smith and Melvin Dunlap.[9] The resulting records, including 'We Got More Soul' (no. 7 R&B, no. 35 pop) and 'Let A Woman Be A Woman, Let A Man Be A Man' (no. 4 R&B, no. 36 pop), were among his biggest hits.[7] Most of the singles resulted from lengthy jam sessions that were edited down to fit the format of 45 rpm records.[1][10] Dyke and the Blazers continued to have less sizeable hits into 1970, with a style described by critic Richie Unterberger as 'gut-bucket funk.. with scratchy guitar riffs, greasy organ, hoarse vocals, and jazzy horns'.[1]
Death of Arlester Christian[edit]
Christian was preparing for a tour of England and for recording with Barry White when he was fatally shot on a Phoenix street, on March 13, 1971, at the age of 27. According to reports at the time, the killing may have been related to drug dealing,[11] although a coroner's report showed no alcohol or narcotics in his system. However on April 22, 1971 Jet Magazine quoted Phoenix detective Eloy Ysasi as saying, 'Dyke was a drug addict and had so many tracks on his arms you couldn't believe it.'[12] The shooting, by Clarence Daniels, was considered self-defense.[3][13] Christian's body was returned to Buffalo for burial.[14]
Legacy[edit]
Dyke and the Blazers were inducted to the Arizona Music & Entertainment Hall of Fame.[5]
The song 'Let a Woman Be a Woman' has been sampled by the hip-hop performer Tupac Shakur for his song 'If my Homie Calls', and the band Stetsasonic for their song 'Sally', and English indie rockers The Heavy for their own 'How You Like Me Now?'.[citation needed] 'Let a Woman Be a Woman' was also featured in the film Friends with Benefits.[citation needed] The musician Prince refers to 'Let a Woman Be a Woman' in his song 'Gett Off'.[citation needed]
According to the notes accompanying a recent DVD release of Mad Monster Party?, they allegedly recorded 'The Mummy', voicing the animated skeletal rock band Little Tibia and the Fibias, although the song in the film does not sound much like any Dyke and the Blazers recordings and no credits exist to confirm this assumption.[15]
Compilations of Dyke and The Blazers recordings have been issued on CD by Kent Records and Ace Records.[10]
![Art Art](https://img.discogs.com/OdVJl9urN-zgOmDc2531yo2J8bY=/fit-in/600x593/filters:strip_icc():format(jpeg):mode_rgb():quality(90)/discogs-images/R-10462558-1497934190-7310.jpeg.jpg)
Discography[edit]
![Art laboe oldies discography Art laboe oldies discography](https://img.discogs.com/yRQMZEb8IEZh5R2T5bbSPn7bL2Y=/300x300/smart/filters:strip_icc():format(jpeg):mode_rgb():quality(40)/discogs-images/A-392601-1589408808-7281.jpeg.jpg)
# | Fact |
---|---|
1 | Founded Original Sound Records in Los Angeles, CA. |
2 | He was awarded a Star on the Hollywood Walk of Fame for Radio at 6800 Hollywood Boulevard in Hollywood, California. |
3 | Veteran DJ. Popular for years on the west coast and remembered for his series of Oldies But Goodies compilation albums. |
Soundtrack
Title | Year | Status | Character |
---|---|---|---|
The Outsiders | 1983 | writer: 'Teen Beat' - as Arthur Egnoian |
Miscellaneous
Title | Year | Status | Character |
---|---|---|---|
Colors | 1988 | radio announcer: KRLA Radio |
Thanks
Title | Year | Status | Character |
---|---|---|---|
Up in Smoke | 1978 | thanks: A musical thanks to |
Self
Title | Year | Status | Character |
---|---|---|---|
My Music: Doo Wop Discoveries | 2012 | TV Movie | Himself |
Airplay: The Rise and Fall of Rock Radio | 2008 | Documentary | Himself |
Won Awards
Year | Award | Ceremony | Nomination | Movie |
---|---|---|---|---|
1981 | Star on the Walk of Fame | Walk of Fame | Radio | Awarded on July 17, 1981 at 6800 Hollywood Blvd. |
Art Laboe Discography
Known for movies
Origin | Buffalo, New York, U.S. |
---|---|
Genres | R&B, funk |
Years active | 1965–1971 |
Labels | Artco, Original Sound |
Associated acts | Carl LaRue and his Crew, The O'Jays, Watts 103rd Street Rhythm Band |
Past members | Arlester 'Dyke' Christian Alvester 'Pig' Jacobs J.V. Hunt Bernard Williams Richard Cason Rodney Brown Alvin Battle Willie Earl Wardell 'Baby Wayne' Peterson Otis Tolliver Ray Byrd Maurice 'Little Mo' Jones |
Dyke and the Blazers was an American funkband led by Arlester Christian. The band was formed in 1965, and recorded up until Christian's death in 1971. Among their most successful records were the original version of 'Funky Broadway' (1966) and 'Let a Woman Be a Woman' (1969).
Career[edit]
Arlester Christian (June 13, 1943 – March 13, 1971), nicknamed 'Dyke', was born (according to most sources) in Buffalo, New York.[1] He attended Burgard High School.[2] In 1960, he started playing bass in a Buffalo band, Carl LaRue and his Crew, who played local bars and clubs and released a single, 'Please Don't Drive Me Away', on the KKC label in about 1963.[3][4] In 1964, LaRue was invited by Phoenix, Arizonadisc jockeyEddie O'Jay to take his band to that city, to provide the backing for the vocal group that he managed there, The O'Jays. By 1965, however, the O'Jays and their manager had moved elsewhere, and LaRue's band fell apart. LaRue returned to Buffalo, but Christian and two other members of the band, guitarist Alvester 'Pig' Jacobs and saxophonist J.V. Hunt, had no means of traveling and stayed in Phoenix.[3][1] They joined forces with an existing Phoenix group, The Three Blazers, who included tenor saxophonist Bernard Williams,[4] and, as 'Dyke and the Blazers', added local musicians Rich Cason (organ) and Rodney Brown (drums).[5] Playing in local clubs, the group picked up on the rhythms, bass and organ innovations of James Brown's band, and through improvisation developed a riff-based song that became 'Funky Broadway', the lyrics reflecting singer Dyke's memories of Broadway in Buffalo as well as Broadway Road in Phoenix.[3]
In summer 1966, the band were heard by Art Barrett, who became their manager and had them record the song at the Audio Recorders Studio in Phoenix. Barrett released the record on his own Artco label,[6][additional citation(s) needed] with Christian credited as its writer although other band members later claimed that they had contributed to the song. It became popular locally, and was reissued by Art Laboe's Original Sound label in Los Angeles.[3] The record steadily climbed the BillboardR&B chart early in 1967, reaching no. 17 in a 24-week stay on the chart, and also reached no. 65 on the pop chart.[7] The record was the first to use the word 'funky' in its title, and for that reason was banned by some radio stations as offensive.[3] Its music was described by Rick James as 'revolutionary', and Dyke developed a dance routine to go with it. The band added bass player Alvin Battle, freeing Dyke to concentrate on vocals, and toured widely on the back of its success. However, in the summer of 1967, the stresses of playing a series of engagements at the Apollo Theater in Harlem caused the band to split up, shortly before Wilson Pickett had a bigger hit with his own cover version of 'Funky Broadway'.[3] Pickett's recording reached no. 1 on the R&B chart and no. 8 on the pop chart.[8]
Art Laboe Oldies Discography
Dyke returned to Buffalo, and put together a new touring band, including Willie Earl (drums - previously a member of Carl LaRue's band), Wardell 'Baby Wayne' Peterson (second drummer), Otis Tolliver (bass), Ray Byrd (keyboards), and Maurice 'Little Mo' Jones (trumpet). However, the touring band gradually disintegrated in 1968 and 69.[3] After 1968, Christian made Dyke and the Blazers records with a variety of Los Angeles studio musicians later known as the Watts 103rd Street Rhythm Band, which included drummer James Gadson, who also performed with Charles Wright and Bill Withers, guitarists Al McKay and Roland Bautista, who later became members of Earth, Wind & Fire, and bassists James Smith and Melvin Dunlap.[9] The resulting records, including 'We Got More Soul' (no. 7 R&B, no. 35 pop) and 'Let A Woman Be A Woman, Let A Man Be A Man' (no. 4 R&B, no. 36 pop), were among his biggest hits.[7] Most of the singles resulted from lengthy jam sessions that were edited down to fit the format of 45 rpm records.[1][10] Dyke and the Blazers continued to have less sizeable hits into 1970, with a style described by critic Richie Unterberger as 'gut-bucket funk.. with scratchy guitar riffs, greasy organ, hoarse vocals, and jazzy horns'.[1]
Death of Arlester Christian[edit]
Christian was preparing for a tour of England and for recording with Barry White when he was fatally shot on a Phoenix street, on March 13, 1971, at the age of 27. According to reports at the time, the killing may have been related to drug dealing,[11] although a coroner's report showed no alcohol or narcotics in his system. However on April 22, 1971 Jet Magazine quoted Phoenix detective Eloy Ysasi as saying, 'Dyke was a drug addict and had so many tracks on his arms you couldn't believe it.'[12] The shooting, by Clarence Daniels, was considered self-defense.[3][13] Christian's body was returned to Buffalo for burial.[14]
Legacy[edit]
Dyke and the Blazers were inducted to the Arizona Music & Entertainment Hall of Fame.[5]
The song 'Let a Woman Be a Woman' has been sampled by the hip-hop performer Tupac Shakur for his song 'If my Homie Calls', and the band Stetsasonic for their song 'Sally', and English indie rockers The Heavy for their own 'How You Like Me Now?'.[citation needed] 'Let a Woman Be a Woman' was also featured in the film Friends with Benefits.[citation needed] The musician Prince refers to 'Let a Woman Be a Woman' in his song 'Gett Off'.[citation needed]
According to the notes accompanying a recent DVD release of Mad Monster Party?, they allegedly recorded 'The Mummy', voicing the animated skeletal rock band Little Tibia and the Fibias, although the song in the film does not sound much like any Dyke and the Blazers recordings and no credits exist to confirm this assumption.[15]
Compilations of Dyke and The Blazers recordings have been issued on CD by Kent Records and Ace Records.[10]
Discography[edit]
Chart singles[edit]
Year | Single | Chart Positions | |
---|---|---|---|
US Pop[16] | US R&B[17] | ||
1967 | 'Funky Broadway - Part 1' | 65 | 17 |
'So Sharp' | 130 | 41 | |
1968 | 'Funky Walk Part 1 (East)' | 67 | 22 |
1969 | 'We Got More Soul' | 35 | 7 |
'Let a Woman Be a Woman' | 36 | 4 | |
1970 | 'Uhh' | 118 | 20 |
'You Are My Sunshine' | 121 | 30 | |
'Runaway People' | 119 | 32 |
Albums[edit]
- Funky Broadway (1966)
- Dyke & The Blazers Greatest Hits (1968 compilation)
- So Sharp (1983 compilation)
- The Funky Broadway (1999 compilation)
- We Got More Soul (2007 compilation)
Further reading[edit]
- Segalstad, Eric (2008). The 27s: The Greatest Myth of Rock & Roll. Samadhi Creations. ISBN978-0-615-18964-2.
- Vincent, Rickey (1996). Funk: The Music, The People, and The Rhythm of The One. St. Martin's Press. ISBN0-312-13499-1.
References[edit]
- ^ abcdRichie Unterberger. 'Dyke & the Blazers'. AllMusic.
- ^'Archived copy'. Archived from the original on 2013-12-16. Retrieved 2013-12-16.CS1 maint: archived copy as title (link)
- ^ abcdefgh'Elmer Ploetz, Buffalo's Soul Men, The Buffalo News, August 11, 1991'. Archived from the original on April 25, 2012. Retrieved October 4, 2011.
- ^ ab'dyke'.
- ^ ab'AMEHOF - DYKE AND THE BLAZERS'.
- ^Label shot of Artco release
- ^ abWhitburn, Joel (1996). Top R&B/Hip-Hop Singles: 1942-1995. Record Research. p. 126.
- ^Whitburn, Joel (1996). Top R&B/Hip-Hop Singles: 1942-1995. Record Research. p. 349.
- ^Interview with James Gadson in Jim Payne, The Great Drummers of R&B Funk & Soul, Mel Bay Publications, 2006, p.127
- ^ ab'Dyke And The Blazers, review by Alec Palao at Ace Records'. Archived from the original on 2011-10-15. Retrieved 2011-10-04.
- ^'Jet'. Johnson Publishing Company. 22 April 1971.
- ^Higgins, Chester (22 Apr 1971). 'WHAT's AHEAD FOR BLACKS IN MUSIC?'. Jet Magazine. 40 (4): 62. ISSN0021-5996 ISSN 0021-5996Check
|issn=
value (help). - ^Simmonds, Jeremy (2012). The Encyclopedia of Dead Rock Stars: Heroin, Handguns, and Ham Sandwiches. Chicago Review Press. ISBN9781613744789.
- ^'Arlester 'Dyke' Christian (1943 - 1971) - Find A Grave Memorial'.
- ^Scott Thill (1 October 2008). 'October Rocks: Who is Little Tibia and the Fibias?'. WIRED.
- ^Whitburn, Joel (2003). Top Pop Singles 1955-2002 (1st ed.). Menomonee Falls, Wisconsin: Record Research Inc. p. 178. ISBN0-89820-155-1.
- ^Whitburn, Joel (1996). Top R&B/Hip-Hop Singles: 1942-1995. Record Research. p. 105.